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・ Still Kicking (film)
・ Still life
・ Still Life (1970s UK band)
・ Still Life (1974 film)
・ Still Life (2006 film)
・ Still Life (2007 film)
・ Still Life (2013 film)
・ Still Life (2014 film)
・ Still Life (Annie Haslam album)
・ Still Life (Aqualung album)
・ Still life (cellular automaton)
・ Still Life (disambiguation)
・ Still Life (Dukes album)
・ Still Life (Fates Warning album)
・ Still Life (Kevin Morby album)
Still Life (Opeth album)
・ Still Life (play)
・ Still Life (Talking)
・ Still Life (The Connells album)
・ Still Life (The Paradise Motel album)
・ Still Life (The Twilight Zone)
・ Still Life (US band)
・ Still Life (Van der Graaf Generator album)
・ Still Life (video game)
・ Still Life 1
・ Still Life 2
・ Still Life and Street
・ Still Life at the Penguin Cafe
・ Still life II (Julio González)
・ Still Life in Motion


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Still Life (Opeth album) : ウィキペディア英語版
Still Life (Opeth album)

| Last album = ''My Arms, Your Hearse''
(1998)
| This album = ''Still Life''
(1999)
| Next album = ''Blackwater Park''
(2001)
}}
''Still Life'' is the fourth studio album by Swedish heavy metal band Opeth. The album was produced and engineered by Opeth alongside Fredrik Nordström, and released on 18 October 1999 through Peaceville Records. It was the first Opeth album to be released through Peaceville, following their departure from Candlelight and Century Black after the release of ''My Arms, Your Hearse''.
==Style==
Eduardo Rivadavia of Allmusic called ''Still Life'' a "formidable splicing of harsh, often jagged guitar riffs with graceful melodies".
Like most of the band's albums, ''Still Life'' features the combination of death metal and progressive rock elements that is characteristic of Opeth's music style. With this album, vocalist Mikael Åkerfeldt's death growl began to deepen considerably relative to the band's earlier albums. ''Still Life'' continues the band's experimentation with dynamics, and most songs contain at least two drastic dynamic shifts. The song "Benighted" is the only acoustic track, containing a blues-influenced guitar solo. This is also one of the band's few songs that follow a linear song structure, containing verses and a chorus.
"Face of Melinda" is, for the most part, another ballad; while it does not contain death metal vocals, it does contain guitar riffs that are typical of the band's heavier songs. A fretless bass guitar along with brushes in place of conventional drumsticks were used in "Face of Melinda" to give it a jazzier sound.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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